Last week or so, I had an email conversation with the squirrel mistress about Elsa Morante. She asked me if I had read her Premio Strega-winning 1957 novel, L'isola di Arturo. I said no, although I did search my Italian books and saw that I had a copy of her famous 1974 novel, La Storia (History). Then that lead to me being me and deciding that I would have to try harder to read Italian books, so I have embarked on another Quixotic journey and am going to try to read (in Italian, whenever possible) as many of the Premio Strega (Italy's most prestigious literary prize) winners as I can over the next few years. Below is the list of the winners since the award's inception in 1947. I have read a grand total of one (in both Italian and English) and have purchased another four (including three e-books). No promises on reviews, but I will update this list with books that I will purchase/read as I acquire more of these books:
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1947 – Ennio
Flaiano, Tempo di uccidere
1948 – Vincenzo
Cardarelli, Villa Tarantola
1949 –
Giambattista Angioletti, La memoria
1950 – Cesare
Pavese, La bella estate
1951 – Corrado
Alvaro, Quasi una vita
1952 – Alberto
Moravia, I racconti
1953 – Massimo
Bontempelli, L'amante fedele
1954 – Mario
Soldati, Lettere da Capri
1955 – Giovanni
Comisso, Un gatto attraversa la strada
1956 – Giorgio
Bassani, Cinque storie ferraresi
1958 – Dino
Buzzati, Sessanta racconti
1959 – Giuseppe
Tomasi di Lampedusa, Il gattopardo
1960 – Carlo
Cassola, La ragazza di Bube
1961 – Raffaele La
Capria, Ferito a morte
1962 – Mario
Tobino, Il clandestino
1963 – Natalia
Ginzburg, Lessico famigliare
1964 – Giovanni
Arpino, L'ombra delle colline
1965 – Paolo
Volponi, La macchina mondiale
1966 – Michele
Prisco, Una spirale di nebbia
1967 – Anna Maria
Ortese, Poveri e semplici
1968 – Alberto
Bevilacqua, L'occhio del gatto
1969 – Lalla
Romano, Le parole tra noi leggere
1970 – Guido
Piovene, Le stelle fredde
1971 – Raffaello
Brignetti, La spiaggia d'oro
1972 – Giuseppe
Dessì, Paese d'ombre
1973 – Manlio
Cancogni, Allegri, gioventù
1974 – Guglielmo
Petroni, La morte del fiume
1975 – Tommaso
Landolfi, A caso
1976 – Fausta
Cialente, Le quattro ragazze Wieselberger
1977 – Fulvio
Tomizza, La miglior vita
1978 – Ferdinando
Camon, Un altare per la madre
1979 – Primo Levi,
La chiave a stella
1980 – Vittorio
Gorresio, La vita ingenua
1981 – Umberto Eco, Il nome della rosa
1982 – Goffredo
Parise, Il sillabario n.2
1983 – Mario
Pomilio, Il Natale del 1833
1984 – Pietro
Citati, Tolstoj
1985 – Carlo
Sgorlon, L'armata dei fiumi perduti
1986 – Maria
Bellonci, Rinascimento privato
1987 – Stanislao
Nievo, Le isole del paradiso
1988 – Gesualdo
Bufalino, Le menzogne della notte
1989 – Giuseppe
Pontiggia, La grande sera
1990 – Sebastiano
Vassalli, La chimera
1991 – Paolo
Volponi, La strada per Roma
1992 – Vincenzo
Consolo, Nottetempo, casa per casa
1993 – Domenico
Rea, Ninfa plebea
1994 – Giorgio
Montefoschi, La casa del padre
1995 – Maria
Teresa Di Lascia, Passaggio in ombra
1996 – Alessandro
Barbero, Bella vita e guerre altrui di Mr. Pyle, 'gentiluomo'
1997 – Claudio
Magris, Microcosmi
1998 – Enzo
Siciliano, I bei momenti
1999 – Dacia Maraini, Buio
2000 – Ernesto
Ferrero, N.
2001 – Domenico
Starnone, Via Gemito
2002
– Margaret Mazzantini, Non ti muovere
2003 – Melania G.
Mazzucco, Vita
2004 – Ugo
Riccarelli, Il dolore perfetto
2005 – Maurizio
Maggiani, Il viaggiatore notturno
2006 – Sandro
Veronesi, Caos calmo
2007 – Niccolò
Ammaniti, Come Dio comanda
2008 – Paolo
Giordano, La solitudine dei numeri primi
2009 – Tiziano
Scarpa, Stabat mater
2010 – Antonio
Pennacchi, Canale Mussolini
2011 – Edoardo
Nesi, Storia della mia gente
2012 – Alessandro
Piperno, Inseparabili
2013 – Walter Siti, Resistere non serve a
niente
2014 – Francesco Piccolo, Il desiderio di essere come tutti
2014 – Francesco Piccolo, Il desiderio di essere come tutti
5 comments:
Today the Premio Strega is a travesty of its former self. The major publishers move a large number of votes and de facto monopolize the prize. Seven of the last ten prizes went to the Mondadori/Einaudi group (Berlusconi) and oly three Publishers have won the Prize in the last 20 years: Mondadori/Einaudi, Feltrinelli, Rcs (Rizzoli/Bompiani).
Never mind that often the most exciting, and critically acclaimed works come from small presses.
Worse, the majors tend to push books which they think will maximize their chances with the General Public - therefore nothing too complicated, "modernist" "avant-garde" or challenging in any way.
But for a few votes last year the prize would have gone to Gianrico Carofiglio - the Italian John Grisham. Good books by smaller presses do find a place in the shortlist, but have no chance of winning. Occasionally, like this year, a big name with both literary and "commercial" potential (Magris, Siti) or a good book may still win - but quality is never the main preoccupation of the award.
In fact a group of more than 200 critics has created an alternative prize, with votations and rankings every three months and a symbolic prize at the end of the year for the most voted in the various categories. Horribly flawed as their system is, it's still a more reliable source than the Strega.
http://www.pordenonelegge.it/it/tuttolanno/le_classifiche.html
Among recent books I'd recommend this one:
http://www.einaudi.it/libri/libro/michele-mari/di-bestia-in-bestia/978880621533
Interesting. Had no idea this had become so politicized. Will keep this in mind when I sample some of the more recent works. But the older works are mostly decent, right? Similar to how the Hugo's used to be viewed compared to today?
Up to the early 90s the quality is mostly good - in hindsight, however, it seems often conservative in its choices, going more for the established values rather than for the new, different or difficult to categorize. For example, it has managed to miss works and authors which are now firmly entrenched in the Italian XXth Century Canon (Manganelli, Gadda, Calvino, Pasolini) while others (Ortese, Landolfi) are only included thanks to minor, late-career works.
Sounds like the National Book Award or the Booker Prize in its conservatism, then. The 1999 winner, Buio, was decent, but not a mind-blowing work. Sadly, that all too often is the case with any lit award these days.
Does anyone know the plot/story of Villa Tarantola, the 1948 prize winner by Cardarelli?
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