Richard Flanagan wins 2014 Man Booker Prize, I rank the Booker finalists, and the National Book Awards shortlists

Lots of literary news over the past 24 hours to cover briefly.  Yesterday afternoon, Australian writer Richard Flanagan won the 2014 Man Booker Prize for The Narrow Road to the Deep North.  It is a very good novel, one that is well-deserving of this honor, but having read 11/13 of the longlist (still have The Dog and Us to read; the latter hasn't yet been released in the US) and 6/6 of the shortlist, it wasn't my personal favorite.  This is not to say that I didn't like it quite a bit, because I did, but there were some other outstanding books on those lists that appealed to me just a tiny bit more.  So for those of you who like lists and rankings, if I had to file a preferential voting system ballot for the Booker Prize shortlist, it would have gone like this:

1.  Ali Smith, How to be Both 

2.  Richard Flanagan, The Narrow Road to the Deep North 

3.  Karen Joy Fowler, We Are All Completely Beside Ourselves 

4.  Neel Mukherjee, The Lives of Others

5.  Joshua Ferris, To Rise Again at a Decent Hour

6.  Howard Jacobson, J 


If I were to employ star/number rating systems, the difference between the Smith and the Jacobson would be somewhere between .5 and 1, as I do consider the Jacobson to be well above the average, if not quite outstanding or excellent.  All in all, while I would have considered several other books instead of/in addition to these, this was an enjoyable shortlist (and by extension, longlist) to read.

Earlier today, the National Book Awards released their five book shortlists for Young People's Literature, Poetry, Non-Fiction, and Fiction.  I own/have reviewed some of the YPL, Poetry, and Fiction finalists and will try to review as many of these over the next month as possible.


Young People's Literature:


Jacqueline Woodson, Brown Girl Dreaming (currently reading; excellent so far)

John Corey Whaley, Noggin

Steve Sheinkin, The Port Chicago 50

Deborah Wiles, Revolution

Eliot Schrefer, Threatened


Poetry:


Claudia Rankine, Citizen

Louise Glück, Faithful and Virtuous Night 

Fred Moten, The Feel Trio

Fanny Howe, Second Childhood

Maureen N. McClane, This Blue


Non-Fiction:


Evan Osnos, Age of Ambition:  Chasing Fortune, Truth, and Faith in the New China

Roz Chast, Can't We Talk About Something More Pleasant?

Edward O. Wilson, The Meaning of Human Existence 

Anand Gopal, No Good Men Among the Living:  America, the Taliban, and the War Through Afghan Eyes

John Lahr, Tennessee Williams:  Mad Pilgrimage of the Flesh


Fiction:


Anthony Doerr, All the Light We Cannot See 

Rabih Alameddine, An Unnecessary Woman 

Marilynne Robinson, Lila

Phil Klay, Redeployment 

Emily St. John Mandel, Station Eleven

Richard Flanagan, The Narrow Road to the Deep North

Something was happening inside Dorrigo Evans as he watched.  Here were three hundred men watching three men destroying a man whom they knew, and yet they did nothing.  And they would continue to watch and they would continue to do nothing.  Somehow, they had assented to what was happening, they were keeping time with the drumming, and Dorrigo was first among them, the one who had arrived too late and done too little and now somehow agreed with what was happening.  He did not understand how this had come to be, only that it had.

For an instant he thought he grasped the truth of a terrifying world in which one could not escape horror, in which violence was eternal, the great and only verity, greater than the civilisations it created, greater than any god man worshipped, for it was the only true god.  It was as if man existed only to transmit violence to ensure its domain is eternal.  For the world did not change, this violence had always existed and would never be eradicated, men would die under the boot and fists and horror of other men until the end of time, and all human history was a history of violence. (pp. 352-353 iPad iBooks e-edition)

As a young child, I was fascinated with the two World Wars.  I have two distinct memories related to this.  My father, a Vietnam War veteran, very occasionally would talk about what he experienced in that latter war, namely witnessing the torturing of a Viet Cong prisoner by Korean soldiers.  The other thing he would recollect was how a history professor of his had been in the Bataan Death March and how his harrowing stories of slave labor and brutal mistreatment by the Japanese affected him decades later.  These stories have shaped my images of warfare, especially in relation to PoWs, as being an excruciating series of terrors punctuated with witnesses (if not direct experience) of torture and depraved behavior.

In his 2014 Man Booker Prize-longlisted novel, The Narrow Road to the Deep North, Australian writer Richard Flanagan follows the lives of a group of Australian PoWs and their Japanese captors as they are charged with building the infamous Burma Railway.  This railroad, known also as the Death Railway for the tens of thousands of forced laborers' deaths during its construction, and its construction has been described in many novels and movies, mostly famously in Pierre Boulle's The Bridge on the River Kwai.  Boulle's account of the PoWs' experiences during the building of the infamous Bridge 277, however, does not accurately describe the sufferings experienced by the PoWs.  In contrast, Flanagan's novel devotes much of its space to covering these depravities in substantial detail.

The Narrow Road to the Deep North, named after a haiku by a 17th century Japanese poet, is divided into five parts that chronicle the lives of several soldiers, most especially that of Dorrigo Evans, over the course of the twentieth century to the dawn of the twenty-first.  At first, the action is slow in developing, as the prewar lives of Evans and other PoV characters only barely hints at the transformations to occur after their capture and forced labor on the Burma Railway.  It is in the final three parts of the novel where the gradually building tension in the soldiers' lives blows up in spectacular ways.  As Evans, a medical doctor, is placed in charge of a thousand man detail, he daily has to confront the awful decisions of survival and death that he is forced to make.  He witnesses several brutal beatings, such as that quoted above, and these dehumanizing experiences change him and others around him, including some of his captors.

Flanagan asks a lot of his readers.  Not only are these sufferings outlined in sometimes graphic detail (the discovery of a man who had just died from amoebic dysentery being but one example), but just when it would seem that the Japanese and Korean soldiers had been built up to be cruel, inhuman monsters, he turns around and has several chapters in the crucial middle section told from their perspectives.  This, however, serves to create a larger dynamic here, that of how violence shapes lives.  In the final two sections, following the end of fighting, Flanagan shows these now ex-soldiers and how they struggle to adapt to their new surroundings.  The results are not always pretty, as denials and self-exculpations for what has transpired abound.  Violence continues to haunt these men, even as some struggle to justify their actions in order to prevent themselves from being condemned.

As noted above, The Narrow Road to the Deep North starts very slowly.  Although the character development established there eventually pays dividends, it was a very sluggish first couple of sections and it was not until nearly 200 pages into the novel that the story truly comes into its own.  However, the second half of the novel is so powerful in its treatment of violence and how these soldiers try to cope with what is happening to and around them that it more than makes up for the slow pace of the beginning sections.  Flanagan's prose is chilling at times, especially in his depictions of the punishments inflicted on the soldiers.  Even more than this, it is how he turns these graphic portrayals around and makes of them a commentary on the human condition that makes The Narrow Road to the Deep North a worthy nominee for the 2014 Man Booker Prize.